Zwigoff’s film makes a few important changes to Clowes’īecomes the central figure, both in terms of screen presence and ideology. Our individuality is challenged and where we can choose to act authentically, Yet the bleak alienation of the consumerist ghost world isn’t picturedĪs a simple dead end, as some commentators has suggested, but as an arena where Unnamed city that could be Clowes’ home town Chicago.īoth graphic novel and film are subtle critiques of theĮffects of consumer capitalism upon our individuality and our freedom of
Scarlett Johansson), in the summer after their high school graduation in an Late teens, Enid and Rebecca ( Thora Birch and
In both we see the physical and existential wanderings of two The spirit of the film is quite similar to that of the Terry Zwigoff’s 2001 film Ghost World is an adaptation of Daniel Clowes’ graphic novel of the same name (they co-wrote the Enid as Situationist: Commodity Fetishism, Alienation
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